The new Sigma 14-24mm F2.8 DG HSM Art is announced at the same time Sigma introduces a new front...

This week on MacBreak Studio, I show Ripple Training’s Steve Martin how you can use the new color tools...

As creatives, we have chosen a career path to inform and entertain through the arts. We talk cameras, lighting,...

FilmConvert starts 2018 with a new camera profile, and it’s for the Lumix GH5s, Panasonic’s camera for videographers. The...

This is a simple little thing that makes the already fast Final Cut Pro X even faster: if you hold...

I’m still quite perplexed that nearly 7 years after its release Final Cut Pro X still doesn’t have an audio-only...

Live panel discussions, interactive displays of Canon equipment and a workshop “Backpack Filmmaking with the EOS C200,” were all...

Users of iClone will now have access to VFX creation without the need to build everything from scratch, thanks...

Last summer I replaced my trusty Sekonic L-758Cine light meter with the new L-858D model. The 858D features a...

Many Avid Media Composer editors rarely travel to their Project panel beyond opening bins and accessing they settings. But there’s...

The film Clara’s Ghost premiered recently as part of the 2018 Sundance Film Festival NEXT program. Written and directed...

There is a new Steadicam available now, and it’s a monopod. Yes, the Steadicam Air is a monopod gas...

The ability to reduce light pollution when photographing the night sky was covered in the first article about NiSi’s...

RED Tech is back, with a new video sharing the possibilities of REDCODE RAW and how, ays RED, the...