Expert RAW coming to more Samsung smartphones
Honor Magic4 Ultimate with new professional-grade video format
The new Honor Magic 4 family promises to take mobile imaging systems to a new level, and the Honor...
Alexandria: Cannes XR and NewImages Festival new metaverse
Announced as a futuristic virtual world to showcase the best of international VR creation, Alexandria will be unveiled to...
“Dramaworld” DP Brian Rigney Hubbard // Frame & Reference Podcast
Welcome back to the Frame & Reference Podcast! This week Kenny talks with cinematographer Brian Rigney Hubbard about the...
Need stability? Get a ShiftCam ProGrip for your smartphone
People say the best camera is the one that is always with you – and for most of us...
Review: Mac Studio and the M1 Ultra for video editors – part 1
For diehard Mac users, the Mac Studio might be the ultimate machine for a lot of what we do...
DxO PureRAW 2: new version supports Fujifilm X-Trans cameras
The new DxO PureRAW 2 is designed to make the workflow even smoother, and it comes with support for...
New Laowa Argus 25mm f/0.95 MFT APO with a video friendly design
Featuring an ultra-fast f/0.95 aperture, the new Laowa Argus 25mm is designed so both photographers and videographers can benefit...
Crossing the 180 with Story Producer Marissa Messiano
In all the years I’ve interviewed filmmakers, there’s one role I’ve yet to interview—a story producer! Well, this week...
Cooke Optics launches S8/i FF spherical lenses
Cooke Optics announces the launch of their S8/i Full Frame (FF) series of seven lenses for full-frame production with...
Xiaomi 12 Pro: will the triple 50MP camera array become a standard?
With its triple 50MP master camera array with enhanced cinematography technology, the Xiaomi 12 Pro smartphone sets a possible...
Google’s Aloud auto-dubs your English video in Castilian or Portuguese, free
A couple of weeks ago, I announced that the renowned Descript service can finally auto-transcribe audio or audiovisual recordings...
Color Management Part 4: Maxwell’s Spinning Discs
Have you ever stopped to think about where RGB values came from? We all use digital color pickers every...
ZY Optics redesigns the world’s first 50T1 Cine lens for PL mount
After almost a year since the announcement of a series of lenses for its cine lens line-up, Zhong Yi...
Better Dialogue Edits with L & J Cuts in Final Cut Pro
This week on MacBreak Studio, Steve shows us how to use L & J cuts to tighten up and...
