V-Log L on the GH4 revisited, part 2
In part 1 of this saga, I looked at the reasons you might want to shoot V-Log L on...
V-Log L on the GH4 revisited, part 1
The release of the V-Log L upgrade for the Panasonic GH4 brought new attention to log capture in affordable...
Remote Productions: The Traveling Road Show Continues
In our first examination into the origins of television remotes, we explored the first mobile units designed to leave...
Advantages to recording mono, even for a stereo show
As I have shown in many past articles, there are many mono (i.e. non-stereo) digital mics that can be...
AE Project Diary: 2) Green Fever
This is the first article anyone has written about Star Wars, lawn bowls, weddings and coffee machines, and how...
ICA’s 2016 LED color quality survey
The folks at Indie Cinema Academy went ’round the show floor at NAB 2016 with a Lighting Passport spectrometer...
Blackmagic Micro Cinema Camera Review
It’s small. It shoots raw. It’s the Blackmagic Micro Cinema. This is definitely one of the smallest cameras I’ve...
Branded windscreen vs mic flag: let’s compare
Back in 2014, I published the article RT and DirectTV Sports go beyond conventional mic flags by using branded...
Multitrack audio for best control later, versus live mix
In field production or in the studio, ideally, we record every audio source on its own track for absolute...
First look: iKlip A/V preamp/mount/grip for smartphones & small cameras
I have covered mounts and grips before (iOgrapher and The Padcaster). I have reviewed many audio preamps to connect...
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