Cine Gear Expo 2016: A Closer Look at the SkyPanel from ARRI
Production professionals at every level are used to dealing with gels and manually adjusting their setup to get the...
Art vs Advertising: The reality behind my first rejection
20 years ago this week I answered the phone – and this is what I learned. Recently, Richard Harrington...
See Adam Wilt and I at CineGear
DSC Laboratories, makers of the finest camera and color calibration charts in the world, has hired fellow PVC writer Adam...
Remote Broadcasts: Television’s Traveling Roadshow
As television struggles to re-invent itself to stay relevant in a world increasingly getting their video fix from so-called...
How I Learned Composition at 12 Years of Age
At 12 years old I knew I wanted to look through cameras for a living. Thanks to Youtube, I’ve...
VR is seriously cool. But is there money in it?
If you spent just a few minutes at NAB this year you would have picked up the three big...
Review: ATH-AG1x mic/headset for isolation
In the past, I have reviewed several different headsets. I always cover their practical uses, and also how close...
New Regulations Mean New Solutions for Camera Batteries, and Anton/Bauer Has You Covered
On February 22nd the International Air Transport Association adopted recommendations that lithium ion batteries be forbidden, on an interim...
Cinekinetic’s Cinesaddle: the camera support that’ll get you out of a tight corner
Perfect composition always seems to require putting the camera in the most awkward position in a room. You can...
BULLETX – The C-47 Gets Upgraded
The C-47 clothespin is vital to filmmakers and creative professionals all across the world. Just like the airplane, their...
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