ATEM Streaming Bridge Announced by Blackmagic Design
The new ATEM Streaming Bridge is a new converter that decodes the live stream from any ATEM Mini Pro...
Blackmagic Announces ATEM Mini Pro ISO
The ATEM Mini Pro ISO is a new low-cost live production switcher with a new five stream recording engine...
Is the film industry really ready for 12K? What it takes to create impressive sensors for cinema cameras
Recent insights about the RED Komodo 6K S35 have gotten lots of cinematographers excited, but the new URSA Mini...
First look: Saramonic SoundBird T3 shotgun microphone
I was honored to receive a review sample of Saramonic’s new SoundBird T3 shotgun microphone. Here is a “first...
Sony Alpha 7S III: designed for photo and video journalists
The Sony Alpha 7S III is out and the crowds are about to compare it with the Canon EOS...
Foreign language editing using SRT files
My new film The Right Girls is coming out soon. It is about three transgender women who were part...
TV/Film Production Realities in the Scripted and Unscripted Worlds: Part 5, Pre-Prod and Production
Pre-production! Finally, an area where there are more similarities than differences in the Unscripted and Scripted worlds. Everything depends...
First look: UltraStudio Recorder 3G from Blackmagic
Although the big media hype is about Blackmagic’s new 12K camera with its amazing sensor, the other intriguing new...
Reviewing the Sigma FP: A Full-Frame Sensor In A Tiny Body
Small. Feather-Light. Full-Frame. We are talking about the Sigma FP mirrorless camera. Sigma has thrown a ton of great...
Enter the RED Komodo 6K S35
I was fortunate to pick up one of the first early orange models of Komodo in late spring of...
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