Agence: cinematic storytelling with artificial intelligence
Would you play god to intelligent life? That’s the key question that Agence presents. This dynamic short-film merges cinematic...
Trusting Apple Displays?
In the “good old days” of post, directors, cinematographers, and clients would all judge final image quality in an...
Working with ProRes RAW in Final Cut Pro
With more and more cameras supporting ProRes RAW recording to the Atomos Ninja V, this week I take a...
PVC’s guide to the best cameras for all content creators
Deciding which camera offers the best bang for the buck is always a difficult process, so we made it...
Sony’s PolarSens technology: a polarizer that works in real time
Polarizers are filters that remove reflections at certain angles. Sony Semiconductor Solutions has developed a sensor that can calculate...
Formula 1 is back, so is Netflix’s documentary Drive to Survive
A week before the 2021 F1 season commences, Netflix releases the third season of its fly-on-the-pitwall F1 documentary series...
Sony Announces New 127.68 megapixel sensor
Sony Corporation recently announced the upcoming release of a large format 56.73mm diagonal CMOS image sensor, “IMX661” for industrial...
The Museum of Other Realities has a FREE VR exhibit now
Four projects across documentary, experiential and narrative genres, all only available with a tethered VR headset, are now on...
Building a Bold Brand as a Mobile Journalist
Get Your MoJo On Today is the first in a series of posts about mobile journalism (aka “MoJo”). In...
Don’t Let LEDs Ruin Your Shoot
We often talk about how important it is to get your exposures correct, and rightly so; correct exposure is...
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