Introducing The ProVideo Coalition Podcast!
Welcome to the ProVideo Coalition Podcast! With so much news coming out every day it’s nearly impossible to keep up...
Working with Premiere Pro on Terminator: Dark Fate
In 1984, a young director stepped behind the camera to create an original sci-fi action movie about time-travel, cyborg...
After Effects Classic Course: Hot Looks from Floating Point
We’ve finished with posting movies on individual After Effects plug-ins from our Insight Into Effects course, and are turning...
Blackmagic Design’s UltraStudio 4K Mini I/O is Built for the Demands of Production and Post
I have been patiently waiting for an affordable Thunderbolt 3 device that could handle the wide range of needs...
The Supermeet returns to Boston this November
Remember the SuperMeet? Those great filmmaking events that were a stable of Tuesday night of NAB for many, many...
The literal invisible cut: mastering the Fluid Morph
Ethics aside, editors often have a legitimate need to hide a jump cut. Many editors are still unaware of...
Delivering in Multiple Aspect Ratios for Social Media
As editors, we need to deliver video to be hosted on a variety of social media platforms, often in...
The Art of the Cut Podcast Eps. 15 (w/ “Fleabag” Editor Gary Dollner, ACE)
The Art of the Cut podcast brings the fantastic conversations that Steve Hullfish has with world renowned editors into...
ART OF THE CUT with the editors of “Ad Astra”
Editor John Axelrad, ACE, has been in post-production since 1991, including a stint as Oscar-winner Anne Coates’ assistant on...
Free this week? Enter one of these two editing contests and maybe win some prizes
I’m a bit late in posting this article but up and coming editors (or editors without anything to do...
