Let’s Edit with Media Composer – Settings, Settings, Settings
In this lesson, I’m going to talk about User Settings. Most people create their user settings, and then only...
Watchtower – Automatically load media into your Premiere Pro or After Effects bins
I’ve always thought that one of the most useful features a non-linear editing tool could add would be watch...
The Art of the Cut Podcast Eps. 13 (w/ “The Goldfinch” Editor Kelley Dixon, ACE)
The Art of the Cut podcast brings the fantastic conversations that Steve Hullfish has with world renowned editors into...
Review: Flame Painter 4, a VFX toolbox designed for photographers
Launched in June, Flame Painter 4 celebrates a decade with many new features. If you’ve never used the app,...
ART OF THE CUT with Kelley Dixon, ACE on editing “The Goldfinch”
Kelley Dixon, ACE began her career in in the early 90s assisting on movies like Reservoir Dogs, Leaving Normal...
After Effects Classic Course: Set Matte versus Track Matte
One of the most useful compositing features in After Effects is the ability to use the properties of one...
A lot of editing news coming out of IBC 2019 this morning
As I awoke in a hotel room this moring that is not in Amsterdam for IBC there was a...
Auto Reframe for Adobe Premiere Pro will make Social Media reformats easier
What’s the most dreaded words that an editor can hear once their meticulously made marking masterpiece is ready for...
Auto Reframe: a Premiere Pro feature preview
At IBC 2019, Adobe plans to demonstrate Auto Reframe, a new time-saving feature coming later this year to Premiere...
Automatic Rotoscoping…For Free
We’re still a few years away from where machine learning AI can produce rotoscoping that rivals what human artists...
