The Art of the Cut Podcast Eps. 14 (w/ “Ad Astra” Editors John Axelrad, ACE & Lee Haugen)
The Art of the Cut podcast brings the fantastic conversations that Steve Hullfish has with world renowned editors into...
The Untold Story of Everything Digital: celebrate 70 years of digital revolution
The Untold Story of Everything Digital: Bright Boys, Revisited celebrates the 70th anniversary (1949-2019) of the world “going digital”...
AVID editors (editors in general) be on alert about this potential rebooting issue. UPDATE: Google’s fault
I normally don’t to a lot click-bait, scare-mongering blog posts trying to keep up with some breaking news but there...
After Effects Classic Course: Remove Color Matting
One of the tell-tale signs of a good composite versus a bad composite is the quality of the edges...
ART OF THE CUT with Gary Dollner, ACE, editor of “Fleabag” and “Killing Eve”
Gary Dollner, ACE, is an award-winning editor with BAFTA nominations for In the Thick of It (2005), and Fleabag...
Windows 10 LTSC: better for production & sanity than Home or Pro
I certainly don’t prefer the Windows operating system, but sometimes people must use it. In this article, you’ll learn...
Let’s Edit with Media Composer – Settings, Settings, Settings
In this lesson, I’m going to talk about User Settings. Most people create their user settings, and then only...
Watchtower – Automatically load media into your Premiere Pro or After Effects bins
I’ve always thought that one of the most useful features a non-linear editing tool could add would be watch...
The Art of the Cut Podcast Eps. 13 (w/ “The Goldfinch” Editor Kelley Dixon, ACE)
The Art of the Cut podcast brings the fantastic conversations that Steve Hullfish has with world renowned editors into...
Review: Flame Painter 4, a VFX toolbox designed for photographers
Launched in June, Flame Painter 4 celebrates a decade with many new features. If you’ve never used the app,...
