ART OF THE CUT with Billy Fox, ACE on editing “Dolemite is my Name”
(Thanks to editor Simon Smith, I realized that we just passed our 200th Art of the Cut interview with...
Review: Screen, a new pro video player for macOS
Screen is a macOS-native “video player for video people”. It’s a fast, flexible, and elegant player with copious keyboard...
After Effects & Performance. Part1: In search of perfection
Introducing the Introduction When it comes to After Effects, “performance” is a complicated topic. The notion of performance affects...
ART OF THE CUT on editing “Zombieland: Doubletap”
Dirk Westervelt, ACE is an ACE Eddie nominee for his work on Deadpool 2. His filmography also includes Logan...
Art of the Cut Podcast Eps. 18 (w/ “Zombieland: Double Tap” Editors Chris Patterson & Dirk Westervelt, ACE)
The Art of the Cut podcast brings the fantastic conversations that Steve Hullfish has with world renowned editors into...
Let’s Edit with Media Composer – Working with Lens Flare 3D
In this lesson Kevin P McAuliffe talks about working with Continuum 2019’s Lens Flare 3D inside of Avid Media...
My first time at NAB Show New York
Last week was my first ever trip to New York City for NAB Show New York. I wasn’t sure...
After Effects Classic Course: Light Transmission
3D Lighting is probably one of the more underused creative tools in Adobe After Effects. It’s not just for...
DSC Charts keep my tests accurate and repeatable
As someone that tests a large amount of gear on a regular basis, one of the hardest issues...
Tattoo Removal from Video Footage
Removing tattoos from body parts is tricky business: painful in the real world and painful in post-production. The former...
