Fujifilm’s free color space converter
Fujifilm makes high-end LUT boxes allowing both color space conversion and look creation. The flagship IS-100, a.k.a. CCBOXX, is...
Let’s Edit with Media Composer – ADVANCED – Audio Ducking In-Depth
In this lesson, Kevin P McAuliffe answers a great viewer question about the Audio Ducking feature in Media Composer,...
Real-world, same-day editing with the Lumaforge Jellyfish and Adobe Premiere Pro
Earlier this summer I was hired on a job to edit same day content for CMA Music Festival. It’s...
HP ZBook Studio G3: How to output standard framerates over HDMI
Despite deceitful rounding in camera menus from otherwise responsible manufacturers including Canon, JVC, Panasonic and Sony, rates like exact...
Creating an animated gobo in Motion
This week on MacBreak Studio, I show Steve Martin from Ripple Training how to build, position, and animate a...
Atmosphere: Hazers, Fazers, Smoke and Fog 101
What do 80’s rock concerts, weddings and Hollywood films have in common? Many might say crazy clothing, make-up and...
PRODU.com debuts Speed Booster for GH4
I first became intrigued with the Speed Booster concept when I saw Norwegian filmmaker Andyax’s video from April 2015....
Free Function Friday Complete Series
Free Function Friday Complete Series
Nashville Filmmakers Guild Lighting Workshop – July 30
I’m usually all about post-production here on my blog but our local to Nashville filmmakers group The Nashville Filmmakers...
Gamma vs. Log: tonal-scale rendering
In my V-Log L Revisited article, I went on at some length about neutral rendering across the tonal scale...
