Advantages to recording mono, even for a stereo show
As I have shown in many past articles, there are many mono (i.e. non-stereo) digital mics that can be...
AE Project Diary: 2) Green Fever
This is the first article anyone has written about Star Wars, lawn bowls, weddings and coffee machines, and how...
ICA’s 2016 LED color quality survey
The folks at Indie Cinema Academy went ’round the show floor at NAB 2016 with a Lighting Passport spectrometer...
ART OF THE CUT with Kelley Dixon, ACE of “Breaking Bad,” “Preacher,” “Walking Dead”…
If you’re an editor who loves great television then you are going to be incredibly jealous of the editor...
Free Function Friday fillCompWithShape
Ep. 40 fillCompWithShape Free Function Friday
Kicking the tires on Proxy Editing with Adobe Premiere Pro CC 2015.3
Adobe released the Adobe Premiere Pro 2015.3 update onto the world in late June and I was smack-dab in...
Red Giant Universe 2.0: HUD, mograph, stylized damage & looks, transitions
Red Giant Universe had been a consistently-updated mix of free and subscription effects for Adobe After Effect, Premiere Pro,...
Media Composer’s Source Browser – A great new feature for every editor
When I reviewed Boris Continuum Complete 10 for AVX, I said that “Boris’ purchase and integration of Mocha in...
Let’s Edit with Media Composer – ADVANCED – What’s New in 8.6
The new 8.6 release of Avid Media Composer is here, and there’s a lot to be excited about! The...
Facebook misrepresents & underestimates its own audio/video specs
As I have covered previously, YouTube and Vimeo used to misrepresent its own published specs, and then later corrected...
