Review: Loctek FlexiSpot Sit/Stand Workstation
I spend too much time at my desk, whether it’s for editing, building graphics, writing, or coding. I find...
28 Days of Cinematography Insights Redux – Day 9 – Directors and ADs who haven’t worked their way up the ranks
In what was essentially a combination of Scott Simmons’ #28daysofquicktips and my own AMA, I answered questions throughout the...
Grading with the Tangent Ripple in Final Cut Pro X
This week on MacBreak Studio, Steve Martin from Ripple Training is joined by his lead editor Travis Richmond as...
28 Days of Cinematography Insights Redux – Day 8 – Dealing with light that can and does constantly change
In what was essentially a combination of Scott Simmons’ #28daysofquicktips and my own AMA, I answered questions throughout the...
28 Days of Cinematography Insights Redux – Day 7 – Solving problems during production
In what was essentially a combination of Scott Simmons’ #28daysofquicktips and my own AMA, I answered questions throughout the...
Let’s Edit with Media Composer – ADVANCED – Source Browser In-Depth
In this lesson, Kevin P McAuliffe goes in-depth with the new Source Browser import/linking tool inside of Media Composer...
Some simple advice for those seeking out work
I’ve had an interesting couple of weeks as I work through one of the busier times of the year....
28 Days of Cinematography Insights Redux – Day 6 – When your director wants something you can’t quite pull off
In what was essentially a combination of Scott Simmons’ #28daysofquicktips and my own AMA, I answered questions throughout the...
ART OF THE CUT with “GHOSTBUSTERS” editor, Brent White, ACE
If you have watched a funny movie in the last decade, you’ve seen Brent White’s work. “Ghostbusters,” “Spy,” “Anchorman”...
28 Days of Cinematography Insights Redux – Day 5 – What are some cheap lighting options?
In what was essentially a combination of Scott Simmons’ #28daysofquicktips and my own AMA, I answered questions throughout the...
