Blackmagic Micro Cinema Camera Review
It’s small. It shoots raw. It’s the Blackmagic Micro Cinema. This is definitely one of the smallest cameras I’ve...
QuickTime’s Death means it’s time to Switch!
Every post production house in the world that runs Windows machines probably has a copy of QuickTime Pro for...
Branded windscreen vs mic flag: let’s compare
Back in 2014, I published the article RT and DirectTV Sports go beyond conventional mic flags by using branded...
How to upgrade your NLE software mid-project. Not that you should.
There is a rule of thumb that is a near universal standard when it comes to and upgrading a new...
Let’s Edit with Media Composer – ADVANCED – Clip & Interface Color Options
In this Let’s Edit with Media Composer lesson, Kevin P McAuliffe talks about color. The color of your bins,...
Multitrack audio for best control later, versus live mix
In field production or in the studio, ideally, we record every audio source on its own track for absolute...
ART OF THE CUT with legendary Oscar-winning editor, Anne Coates
I have interviewed nearly 60 of the top editors in the world at this point including more than a...
Free Function Friday getLayFXMatchNames
Ep. 39 getLayFXMatchNames Free Function Friday
First look: iKlip A/V preamp/mount/grip for smartphones & small cameras
I have covered mounts and grips before (iOgrapher and The Padcaster). I have reviewed many audio preamps to connect...
Reimporting from Camera Archives in Final Cut Pro X
This week on MacBreak Studio, Steve Martin from Ripple Training shows us how you can get tripped up when...
