Cine Gear Expo 2016: A Closer Look at the SkyPanel from ARRI
Production professionals at every level are used to dealing with gels and manually adjusting their setup to get the...
Cine Gear Expo 2016: A Closer Look at the G-RACK 12 from G-Tech
One of the bigger announcements to come out of NAB was G-Tech’s release of the G-RACK 12, which won...
Let’s Edit with Media Composer – ADVANCED – 4KFree.com
In this lesson, Kevin P McAuliffe gives Avid Media Composer editors the scoop on anther great, FREE resource, and...
Free Function Friday getLabelColorNames
Ep. 36 getLabelColorNames Free Function Friday
360VR compositing in Final Cut Pro X
This week on MacBreak Studio, we move to Part 3 of our exploration into working with 360VR footage in...
5 Things You Need to Know About LTO
Michael Kammes loves talking about new and useful tech, and sometimes he records himself while doing so. In the...
Art vs Advertising: The reality behind my first rejection
20 years ago this week I answered the phone – and this is what I learned. Recently, Richard Harrington...
Let’s Edit with Media Composer – ADVANCED – Custom Transitions
In this lesson, Kevin P McAuliffe shows you how to create a custom transition to work with in your...
See Adam Wilt and I at CineGear
DSC Laboratories, makers of the finest camera and color calibration charts in the world, has hired fellow PVC writer Adam...
Remote Broadcasts: Television’s Traveling Roadshow
As television struggles to re-invent itself to stay relevant in a world increasingly getting their video fix from so-called...
