AE Project Diary: 3) Ausgrid
What makes a project good to work on? I’ve worked on more productions than I can remember but some...
Let’s Edit with Media Composer – ADVANCED – Working with LUT’s
In this lesson, Kevin P McAuliffe talks about working with Look Up Tables (LUT’s) inside of Media Composer. They’re...
ART OF THE CUT with Tom Cross, ACE of “Whiplash,” “JOY,” and “La La Land”
Art of the Cut caught up with Oscar winning editor, Tom Cross, as he was cutting his upcoming feature,...
Orbiting objects in Motion
This week on MacBreak Studio, I show Steve Martin from Ripple Training how to approach a basic animation task...
Auphonic audio recording app for Android & iOS: strong mixed emotions
So far, I have reviewed at least two audio recording apps for iOS (RØDE Rec and ShurePlus MOTIV)… and...
Emancipate your titles in Final Cut Pro X
This week on MacBreak Studio, Steve Martin from Ripple Training shows us how you can free your titles in...
V-Log L on the GH4 revisited, part 2
In part 1 of this saga, I looked at the reasons you might want to shoot V-Log L on...
V-Log L on the GH4 revisited, part 1
The release of the V-Log L upgrade for the Panasonic GH4 brought new attention to log capture in affordable...
Dead Dreamcolor? Reanimate it.
Got an original HP LP2480zx Dreamcolor display? Did it suffer catatonic failure? By that, I mean a failure where...
Remote Productions: The Traveling Road Show Continues
In our first examination into the origins of television remotes, we explored the first mobile units designed to leave...
