V-Log L on the GH4 revisited, part 2
In part 1 of this saga, I looked at the reasons you might want to shoot V-Log L on...
V-Log L on the GH4 revisited, part 1
The release of the V-Log L upgrade for the Panasonic GH4 brought new attention to log capture in affordable...
Dead Dreamcolor? Reanimate it.
Got an original HP LP2480zx Dreamcolor display? Did it suffer catatonic failure? By that, I mean a failure where...
Remote Productions: The Traveling Road Show Continues
In our first examination into the origins of television remotes, we explored the first mobile units designed to leave...
Advantages to recording mono, even for a stereo show
As I have shown in many past articles, there are many mono (i.e. non-stereo) digital mics that can be...
AE Project Diary: 2) Green Fever
This is the first article anyone has written about Star Wars, lawn bowls, weddings and coffee machines, and how...
ICA’s 2016 LED color quality survey
The folks at Indie Cinema Academy went ’round the show floor at NAB 2016 with a Lighting Passport spectrometer...
ART OF THE CUT with Kelley Dixon, ACE of “Breaking Bad,” “Preacher,” “Walking Dead”…
If you’re an editor who loves great television then you are going to be incredibly jealous of the editor...
Free Function Friday fillCompWithShape
Ep. 40 fillCompWithShape Free Function Friday
Kicking the tires on Proxy Editing with Adobe Premiere Pro CC 2015.3
Adobe released the Adobe Premiere Pro 2015.3 update onto the world in late June and I was smack-dab in...
