Let’s Edit with Media Composer – What’s New in v8.9
In this Let’s Edit with Media Composer lesson, Kevin P McAuliffe talks about some of the great new features...
Creating a Pleasantville Effect in Final Cut Pro X
This week on MacBreak Studio, I show Steve Martin from Ripple Training how to use Final Cut Pro X’s...
Unity: introducing the era of procedural cinematography
Timeline and Cinemachine, which allow artists to create cinematic content and gameplay sequences without the need for coding, are...
Epic Games: real-time production is the future of content creation
Real-time production is the future of content creation, according to Epic Games, and Unreal Engine is putting that front...
Fujinon Lunch & Learn Lenses in PDX (and elsewhere!)
This just in, via Twitter and Instagram: Come by Koerner Camera-Portland for a Koerner Cinema Series...
Review + comparison: iRig Pro I/O cross platform audio interface
In this article, I’ll review the new <US$150 iRig Pro I/O cross platform audio interface, with preamp and A-to-D...
Classic Course: Fields & Interlacing
Some of our older video & motion graphics courses are being retired from the Lynda.com/LinkedIn Learning catalog. However, a...
ART OF THE CUT with Atomic Blonde editor Elisabet Ronaldsdottir
Elisabet Ronaldsdottir was born and raised in Reykjavik, Iceland and has been editing film at home and across Europe...
The one feature from VEGAS Pro I want in my other NLEs
I’ve been able to sit down and play around with MAGIX VEGAS Pro a bit over the last few...
Zephyr Drone Flight Training Review by Little Arms Studios
Pressure. It can be corrosive especially if the pressure you feel is from flying a good portion of your...
