How the Seal Team series uses Dutti Dolly
Three Dutti Dollies are always around during the production of the CBS series Seal Team, used for multiple situations...
What Does the Ultimate Video Editor’s Workstation Look Like?
Few can argue with the notion that the media & entertainment industry has been democratized in an incredible manner....
Art of the Shot: Mindhunter cinematographer Erik Messerschmidt
Shot with a tailor-made RED camera, the RED XENOMORPH, auteur David Fincher chose cinematographer Erik Messerschmidt to helm camera...
REVIEW – BCC 11 for Media Composer
There are some certainties in the industry we work on, and one of them as become the yearly (or...
ART OF THE CUT with “TWIN PEAKS” editor DuWayne Dunham
Duwayne Dunham’s filmography is so extensive and impressive that trying to summarize it in a paragraph just doesn’t do...
Behind the Scenes: 40 years of Star Wars
The next film, Star Wars IX, with J. J. Abrams at the helm again, will end the saga started...
Lightroom: the death of the perpetual license
Adobe’s subscription model is not for everyone, and the recent changes of policy force many photographers to look elsewhere...
Understanding iPhone framerates for shooting, editing & distribution
When you shoot video on iOS (including iPhone, iPad and iPod Touch), framerates don’t work the way they do...
How to transform a brewery in a live studio
While making the pilot of their TV series Late Night Cap, Framework Productions filmed what can be considered a...
Adobe updates everything at MAX … including the price for some of us
It was a big day at the Adobe MAX conference yesterday as your Creative Cloud application came alive and...
