Adobe Santa Monica
Adobe recently opened a new facility in Santa Monica located at 429 Santa Monica Blvd in an effort to...
Getting Started with HitFilm Pro – Lesson 8 – Clip-Based Parameters and Keyframing
In our last lesson, in our look at learning HitFilm Pro, we talked about updating HitFilm, and why that’s...
Nikon Z7 and Z6 mirrorless cameras, a dream for Nikon videographers
The new Nikon mirrorless cameras, Z7 and Z6, will be available in September and November, and there is a...
After Effects News 2018 August #3
All the After Effects news that fits. Remember, the first tuts are free. Beware the Trump recession. Ryan Summers said recently:...
Gripology 101: The beautiful ugly of grip production work
Ever been confused by the mysterious names and ways of grip hardware (like turning a “pancake” into a “pigeon...
A Panasonic EVA1 Camera Review – A Shooter’s Camera
There I was in my office packing and planning for a network shoot. Before me, sat a handful of...
ART OF THE CUT, with BlacKkKlansman’s editor, Barry Alexander Brown
Art of the Cut is brought to you by our friends at Frame.io. Video collaboration for the 21st century...
Tides Near Me, an essential iOS and Android app for coastal videography
Simple to use, Tides Near Me gives users essential information for planning shoots along coastal areas: the tides of...
Sim’s Media Shuttle portal improves workflow and client services during production of Syfy’s Krypton
Where can we look to get a sense of the future of workflow production for scripted episodic programming? The...
Sequence Duplicate is the Adobe Premiere Pro feature that should have been built in from the very beginning
How often have you been working in Adobe Premiere Pro and you duplicated a sequence into a new version...
