AE Project Diary: 6) Xian part 2: With Video!
As part of the After Effects Project Diary series, my last article looked at colour grading on the Xian...
After Effects News 2018 July #1
Perhaps the biggest feature to hit After Effects in last 10 years or so is scripting (Adobe Help), seen...
Reverb – 28 Weeks of Post Audio Redux
Editor’s Note: “28 Weeks of Post Audio” originally ran over the course of 28 weeks starting in November of...
BeyondPodcasting 4: Adobe Project Rush, LumaFusion & more with Cielo de la Paz
On BeyondPodcasting episode 4, Allan Tépper converses with Cielo de la Paz (in English) about Adobe’s new Project Rush...
Blackmagic’s New eGPU Is A Hurdle Leaped For Creatives (commentary)
Yes, the news about Blackmagic Design’s new eGPU, a high-performance graphics processor, has already been posted on PVC by...
Room Acoustics – 28 Weeks of Post Audio Redux
Editor’s Note: “28 Weeks of Post Audio” originally ran over the course of 28 weeks starting in November of...
5 minutes with Avid Media Composer 2018.7 and the new LIVE TIMELINE
5 minutes wasn’t nearly enough time to truly test out LIVE TIMELINE in the new Avid Media Composer 2018.7 updated...
Let’s Edit with Media Composer – What’s New in 2018.7
In this lesson, Kevin P McAuliffe discusses the newest release of Media Composer, 2018.7, and with it comes one...
Quality Control – 28 Weeks of Post Audio Redux
Editor’s Note: “28 Weeks of Post Audio” originally ran over the course of 28 weeks starting in November of...
Creating a Dark and Stormy Night in Final Cut Pro X
This week on MacBreak Studio, I show Steve Martin from Ripple Training how to create an animated outdoor scene...
