ART OF THE CUT with “Crazy Rich Asians” editor, Myron Kerstein
Myron Kerstein has edited numerous films including, Going in Style, Wish I Was Here, Movie 43, Glee: The 3D...
I sent my first DMCA takedown letters
After watching a free webinar from attorney Gordon Firemark, I learned and sent my first DMCA takedown letters to...
Automatic grid layouts in After Effects
This article will explain how to automatically layout images in a grid, using expression sliders in After Effects. In...
Panasonic AG-CX350 4K Single-Lens Camera Review
I was sent a camera. It has a 5170 x 2908 sensor. Records internal 4K at 4:2:2 in 10-bit...
Classic Course: Calculations
Continuing our theme of often-overlooked utility plug-ins in Adobe After Effects that can create interesting composites with a minimum...
The evolution of Background Removal tools in photo editing software
Removing backgrounds from images was once an art reserved for a few, but the evolution of software has made...
Who Should Win an Oscar? Interviews with the 91st Academy Award Nominees
With controversy about the decision to hand out Oscars during the ad break finally being resolved, we can shift...
ART OF THE CUT with Naomi Geraghty, editor of “The Upside”
Naomi Geraghty has been working as a film and TV editor for nearly 20 years. Her work includes TV...
RadioPublic answers my questions about Podsites
RadioPublic just announced its Podsite service, specifically targeted for a particular group of podcasters. Podsite websites are not promoted...
Eve Cohen, DP on Ashe’ 68, a documentary in 360 VR
Ashe ’68 takes us back to one of America’s most tumultuous years. The Ashe ’68 VR Impact Tour aims...
