ART OF THE CUT with editor Chris Lebenzon, ACE on “Dumbo”
Chris Lebenzon, ACE has been widely recognized by his peers with numerous ACE Eddie nominations and wins, including for...
Zeiss opens a new space in Sherman Oaks
Like Sigma and Canon before them, Zeiss has opened up a showroom/workshop hybrid space, this one located in Sherman...
Quantifying the Large Format Look
Large format is no longer out of reach of the average filmmaker, but the look is difficult to quantify....
Integrating Cleanfeed, Hindenburg & RØDECaster Pro
As I published on March 1st, the RØDECaster Pro recently added both mix-minus via its USB port and multitrack...
Test your new computer with the new Cinebench Release 20 from Maxon
How powerful is your computer? Test it with the FREE Cinebench! The new Release 20 is available now and...
Why everyone is talking about IP in Video
I spent my early years in Film and Television production during the transition from analog to digital. Beta had...
Are Canon Cinema Cameras the Ultimate Documentary Solution?
This year all 5 documentaries nominated for an Oscar were shot on Canon cameras. To further discuss this accomplishment,...
Polaroid RGB LED Camera/Camcorder Light
While many pros may consider this more of a novelty than a serious tool, the Polaroid RGB LED Camera/Camcorder...
Classic Course: Channel Blur
To wrap up our exploration of ChOp (Channel Operation) effects, we’re going to look at a fun one that...
Restrain your undisciplined pixels with NaNny
Most pixels are pretty well behaved, but if you work in 32 bit mode then every so often you...
