REVIEW – Magnum 3 for After Effects
I’ve said it before and I’ll say it again, scripts are the way to add essential functionality to After...
The URSA Mini 4.6K Pro G2 and BMPCC4K: A One Two Punch
One camera on sticks. Another camera on a gimbal ready to float. If I am lucky then I have...
How to create a surveillance camera effect using HitFilm Express
Classified Mission: Renegade, the film, is the base to share with HitFilm users a series of tutorials explaining how...
Zeiss ZX1 and Yongnuo YN450: are Android cameras the future?
Zeiss and Yongnuo are worlds apart when it comes to lenses, but the design of cameras reveals a common...
Classic Course: Channel Combiner – Transparency
One of the more confusing points on working with images is straight versus premultiplied alpha channels. With a straight...
ART OF THE SHOT: “Raise Hell: The Life and Times of Molly Ivins” DP Kristy Tully
With production credentials like these: “Feminists: What Were They Thinking?” “Making a Killing: Guns, Greed, and the NRA”, and “The...
Discover the future of filmmaking at the 2019 GPU Technology Conference
Panels, live sessions and tech demos on immersive graphics, real-time virtual production, 3D rendering and more will be presented...
TB3 to (eventually) become USB4
Last week, the USB Implementers Forum (USB-IF), the governing body for all things connected via USB, announced a number...
Collaborating with remote teams and talent around the world
If your studio works with non-local creative talent, you already know that there are opportunities and challenges associated with...
Blackmagic Design Announces URSA Mini Pro 4.6K G2, a Second Generation
Blackmagic Design announces the URSA Mini Pro 4.6K G2, a second generation URSA Mini Pro camera featuring fully redesigned electronics and a new Super...
