NAB 2019: Transparent OLED Display
OK, it’s not something you’ll need every day, but it is cool: a semitransparent OLED monitor, made by striping...
NAB 2019: JVC Connected Cams
JVC continues to build out its “Connected Cam” line of camcorders in which streaming is a built-in feature, not...
NAB 2019: 8K
NAB 2019 marked the point where — without any particular fanfare — 8K television moved from a gee-whiz technology...
NAB 2019: 1974 RCA TK-45As; 1978(?) TH-50A
At the north end of the North Hall hallway, the Museum of Broadcast Technology showed off two fine 1974...
Philips ARc: one app to configure video walls… no ladder needed
The new app from Philips Professional Display Solutions is an “industry first”. The first immersive augmented reality app allowing...
NAB 2019: Autonomous Cars and Amazing Experiences
On NAB’s opening Monday I attended a panel discussion on “Autonomous Cars and Amazing Experiences: Safety, Content and Connectivity”....
Nadus Films: we’re always telling stories
Authentic stories. That’s what the Louisville production company has created for 15 years, using their expertise in all aspects...
NAB 2019: Michael Bergeron on the Move to IP
At NAB I talked with Michael Bergeron, Product Manager of Studio Camera Systems at Panasonic, about the move to...
Random thoughts on NAB 2019, my saddest NAB ever
Was NAB 2019 boring? Maybe. Admittedly I did spend a lot of time upstairs in the South Hall teaching...
ART OF THE CUT with Phyllis Housen, ACE, editor of “Clemency”
Phyllis Housen, ACE has been a feature film editor since the early ’90s, including Cargo, To Whom it May...
