Classic Course: Channel Combiner – Transparency
One of the more confusing points on working with images is straight versus premultiplied alpha channels. With a straight...
ART OF THE SHOT: “Raise Hell: The Life and Times of Molly Ivins” DP Kristy Tully
With production credentials like these: “Feminists: What Were They Thinking?” “Making a Killing: Guns, Greed, and the NRA”, and “The...
Discover the future of filmmaking at the 2019 GPU Technology Conference
Panels, live sessions and tech demos on immersive graphics, real-time virtual production, 3D rendering and more will be presented...
TB3 to (eventually) become USB4
Last week, the USB Implementers Forum (USB-IF), the governing body for all things connected via USB, announced a number...
Collaborating with remote teams and talent around the world
If your studio works with non-local creative talent, you already know that there are opportunities and challenges associated with...
Blackmagic Design Announces URSA Mini Pro 4.6K G2, a Second Generation
Blackmagic Design announces the URSA Mini Pro 4.6K G2, a second generation URSA Mini Pro camera featuring fully redesigned electronics and a new Super...
Samson Q2U headless mic with Shure A81WS presidential windscreen
After hearing, reading and watching many reviews of the Samson Q2U, I sought out to cure its only important...
Classic Course: Channel Combiner – Alternate Color Spaces
After Effects converts all of your source material into RGB color space, with a separate alpha channel. However, sometimes...
RØDECaster Pro: Is it an automixer?
As I have covered in past articles and reviews, the goal of an automatic audio mixer is to instantly...
Fujinon’s MK lenses paired with SLR Magic’s Anamorphot bring widescreen magic to low budget filmmaking
Last year, I got a peek at SLR Magic’s Anamorphot 65 add-on anamorphic adapter kit for Fujinon’s MK series...
