NAB 2019: Chemical Wedding’s Artemis Prime Director’s Viewfinder
Artemis Prime is a lens-mounted director’s viewfinder like none I’ve ever seen. Chemical Wedding, the company behind Artemis Prime...
NAB 2019: Fujinon Premista Large Format Cinema Zooms
Premista, the first large-format cine zoom lens set from Fujinon. ARRI ALEXA Mini LF, Sony VENICE, Canon C700 FF,...
Burning questions about the DaVinci Resolve Editor Keyboard
Let’s talk about the DaVinci Resolve Editor Keyboard. It was a big surprise at NAB 2019 because let’s be...
ART OF THE CUT with Oscar winner, Paul Hirsch, ACE
Paul Hirsch, ACE has edited some of the most iconic films in cinema history: Carrie, Star Wars; Star Wars:...
NAB 2019: Laowa 25-100mm T2.9 OOOM Cinema Zoom Lens
Not too long ago Chinese lensmaker Laowa shook up the industry with the Laowa 24mm f/14 2X Macro Probe,...
NAB 2019: Foton Optics M1 25-300mm T2.8 Cine Zoom Lens
It’s big. It’s long. It’s a whole lotta lens. Don’t get cheeky with me. It’s a big lens. At...
NAB 2019: What’s in the CRLS C-Kit Drive from BB&S Lighting?
The CRLS (Cine Reflect Lighting System) was an original idea by Christian Berger 20 years ago in Austria. Christian is...
NAB 2019: A Look at the Pipeline Reflect Series from BB&S Lighting
Not long ago we showcased the new Pipeline Reflect System from BB&S Lighting, utilizing the same 95 TLCI (3200°K,...
NAB 2019: Area 48 Color LED RGBWW from BB&S Lighting
The BB&S Area 48 Color has been designed to set a higher standard for dial-in, full-color as well as...
NAB 2019: The Teradek Bolt 4K Enables Wireless 4K Transmission
Teradek had a number of firsts at NAB 2019, but the most significant is arguably the first wireless 4K...
