ART OF THE CUT with Evan Schiff, editor of “John Wick 3”
Evan Schiff started his film industry career at the Stan Winston animatronic studio in 1999 working on such films...
Four lenses: a visual comparison, part 2
It’s time to name names. I’m going to tell you what lenses you’ve been looking at for the last...
Premiere Pro 6, After Effects 11, PS 13: did Adobe just say you can’t use them?
Adobe distributed a document to its clients with the new CC download rules, but the document also suggests that...
Adobe Tightens The Leash
Adobe Tightens The Leash How does this effect me as a user and product developer for After Effects?
Advanced keying with After Effects: Part 2
In Part 1 I did a quick overview of the most commonly used keying plugins for After Effects. Regardless...
Classic Course: Directional Blur
After Effects has long supported the ability to calculate motion blur of layers animated inside AE. However, that could...
Attach Splines To Animated Objects
EyeFly3D and Snap3D: low-cost 3D for iPhone and Samsung smartphones
If you do not have the money to buy a RED Hydrogen One smartphone with 3D, maybe the solutions...
Four lenses: a visual comparison, part 1
We live in an age of lens choice. Because of this, we also live in an age of lens...
ART OF THE CUT with Jeffrey Ford, ACE, of “Avengers: Endgame”
Jeffrey Ford, ACE and Matthew Schmidt have been collaborating in the cutting room since the first Avengers movie. Back...
