At NAB 2019, Blackmagic announced many new features to its DaVinci Resolve 16 editing/grading, including LUFS audio loudness standards...

Since I published How many LUFS for ideal audio loudness? Why can’t we be friends? in March, both Adobe...

Hindenburg has just informed me officially that at NAB 2018 next week, they’ll be announcing a few new key...

The recent audio loudness war reminds me of the 1975 hit song Why can’t we be friends?. As I...

Recently I published an article covering several new features and benefits in Hindenburg Journalist (PRO), including –16 LUFS normalization in the...

NUGEN Audio showcases its new NUtility Toolkit at IBC 2024, a solution designed to enhance DAW functionality, speed up...

The latest version of Hollywood’s favorite toolkit for intelligent audio repair, RX 11, introduces new machine learning for tackling...

“Films are 50% visual and 50% sound. Sometimes sound even overplays the visual.” David Lynch There are many quotes...

Audio mixing is a second thought for many editors. On projects with a higher budget, the final mix is...

Here is my promised review of the US$99 RØDE VideoMic Go II compact hybrid shotgun microphone, including my own...