The Professional's Guide to Buying a Mac with Apple Silicon - March 2025 19
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Ned Soltz

Appreciate my friend Jeff’s extensive comments and it’s the article I wish I had written. I had moved to Apple silicon with the first M1 MacBook Pro but have kept my trusty 2019 Mac Pro until now. Just ordered a Studio M3 Ultra 28 core with 256gb RAM and 2 Tb internal storage. Will pair with Blackmagic UltraStudio 4K Mini to replace the internal BMD card in the MacPro. Then the fun will come– migrating as little as possible and doing clean installations of all the software. Thanks, Jeff, for the great piece.

Randy Hale

Well done. Wish I had the time for that type of research. Avid editor since 94. Just ordered studio:double m3, 256ram, 8TB storage; $10k “I feel the need for speed!” Multicam editing 4k.

Joshua Meyers

This was exactly the article I was looking for! When guiding companies into making technology decisions it’s really great to have thoughtful pieces like this to refer to when trying to sort through all the spec data. All of these configuration scenarios are ones I hear again and again so it’s nice to have them in one place.

Daniel Lawrence

Hey Jeff!

I’m hoping you’ll spot this and maybe provide some wisdom. Everyone is talking about how well the new Studios perform with Resolve, and FCPX, but I’ve been waiting for someone who uses Avid to chime in on the M4 Max vs M3 Ultra debate. I asked this of Chris Bové over at Avid, and even Scott Simmons on another post he made, but never heard back from either. I can’t tell whether the Ultra’s doubling of its cores would be of any use with Avid, but I’m also assuming the M4 Max’s (and the Ultra’s) neural engine is locked down and wouldn’t help with anything Avid did with AI… so it seems like it comes down to Avid’s use (or lack thereof) of multiple cores. Higher clock speed on the Max, vs twice the number on the Ultra. Which wins in a fight?

Now that Media Composer runs on Apple Silicon, do you have any thoughts on which version of the Mac Studio would be a better investment, specifically for Media Composer?

Scott Simmons

I am wondering the same thing! Just haven’t had time to test it out yet.

Ty Clark

Any thoughts, ideas or info on M3 Ultra (and any of the M series really) having “finicky” issues with SMB and Synology NAS servers?

Found some mentions on it and have had a lot of trouble between the M3 Ultra and our Synology’s, lately. No clear answers as to why, yet.

Max

Love it! From a software developer doing machine learning it’s all about having software support for running the MLX and MPS frameworks, which depends on Apple’s Metal API. Being able to utilise those things is a night and day difference, e.g. running Whisper for STT transcriptions on MLX can do an hour of audio in a few minutes vs like… an hour, when you’re forced to use CPU. Software support in Apple’s framework for new ML models is really picking up momentum compared to just a year or two ago. For messing around with stuff locally at home you actually have other options than CUDA these days. As a Linux user I’m totally sold on Apple hardware these days, my daily driver is an MBP M1 Pro these days. Would not have believed it if you told me a few years ago 🙂

Last edited 1 year ago by Max
dricks

Hi
I’m planning to buy a new Mac for my work. I mainly use After Effects (about 70% of the time) and Premiere Pro (about 30%).
I’m hesitating between two options:

M4 Max with 128GB of RAM

M3 Ultra with 96GB of RAM

Which one would you recommend for my usage? Thanks a lot for your help!

Tony Sal

Apple is the only vendor which can offer AppleCare for “Apple certified refurbished” products. Third party vendors which offer Apple products labeled as “refurbished” are not eligible for AppleCare.

Dave

Hey Jeff, due to be budget constraints I’m between a M4 Air with 16GB and an M3 air with 24GB. In this case is the new M4 better than having extra 8GB of RAM?

I mostly edit 4k footage and do a bit of fusion (map animations, some masking) and light colour grades. My current system frustrates me only when it’s time to playback those fusion comps.

Jed P

I have just bought the M3 Ultra 28C/60G
I know you have said the M3 Ultra is 2x M3 Max Chips, but I can’t help thinking that is only for the 32C/80G version, so the lower version must be 2x M3Pro Chips

weakish

MacBook Air doesn’t have reference mode as in MacBook Pro. Do you think reference mode is very important or the screen of MacBook Air is good enough for color grading under Davinci Resolve?

Miller

Honestly, I can’t really follow your argument. This constant “more, more, more” mindset is not automatically the right answer.

Not everyone is a Hollywood producer dealing with huge RAW media sets. And when RAW-heavy projects do come up, they are often cut with proxies anyway. A large part of everyday video work is still HD, and even 4K at 50 Mbit/s or, fine, 120 Mbit/s is not some massive technical challenge anymore.

That does not automatically mean everyone needs the biggest and most expensive machine available. Sure, a Mac mini Pro or a slightly higher configuration can make sense if you want a bit more headroom. But presenting anything below that as barely usable is just exaggerated.

Of course, it is different if someone is doing truly extreme work — heavy graphics workflows, video art, complex grading, or large RAW-based productions. But that is not the norm.

To me, this sounds a bit like insisting everyone needs a Porsche in the garage, only to drive 50 through the city.

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