Let’s establish one thing right from the start: there were way more than 16 things of note that happened at NAB this year, just like there are every year. To quickly illustrate that point, Blackmagic alone had 14 press releases ready for attendees of their press conference, and that was down from what they rolled […]
Read More… from The Top 16 Updates and Announcements from NAB 2016
Zeiss have being making high-end lenses and optics for over 160 years. What they don’t they don’t know about lens technology isn’t worth knowing. As well as creating great cinema camera lenses, Zeiss have applied their optical science and glass engineering skills to binoculars, scopes, eye glasses and now VR Head Mounted Displays: (Don’t forget […]
Read More… from 360º Video Report #6 – Annette Tindall – Zeiss VR ONE Head Mounted Display
As the NAB Show opened and most attendees scrambled to get up to speed on the future of IP, 4K and HDR video from companies showing their latest and greatest, I made a trip back in time by looking for equipment from the RCA Broadcast Division and Ampex Corporation – broadcast gear from the 50’s, […]
Tim Sarnoff is in charge of Technicolor’s Post-Production, Visual Effects, Animation and Games worldwide. Technicolor has production facilities located in Los Angeles, Chicago, New York, Vancouver, Toronto, Montreal, Brussels, Paris, London, Beijing, Shanghai and Bangalore. Technicolor provides a wide range of production and post-production services to the M&E industry, but in this interview I focused more on […]
Deluxe recently set up a new VR Unit within their Creative Division dedicated to servicing VR customers and appointed Malte Wagener as the Head of the VR Unit. Malte has extensive experience in the video game industry as well as VFX and post-production and brings a unique blend of skills to helping drive Deluxe forward in the […]
Read More… from NAB 360º Video Report #4 – Malte Wagener, Head of Deluxe VR
Blackmagic’s announcement at NAB of integration between Resolve and Fusion may have gone unnoticed by many, but it actually signals a significant shift in the way effects work will be done going forward. It wasn’t long ago that to buy a single online effects system like Autodesk’s Flame or Inferno would set you back half […]
Read More… from Why the Resolve & Fusion integration is a pretty big deal
Earth Day is celebrated on April 22, but to save Earth there is no specific day, so Rocky Nook extends their special Earth Day promotion until April 26. Buy any eBook with a 45% off. Earth Day goes back to 1970, year of the first edition of the movement that gave voice to an emerging […]
Found in the new UI is the option to turn the 16:9 4.6K Super 35mm sized sensor into a 3K 4:3 anamorphic sensor. This allows the use of a 2x anamorphic lenses to fill the entire 3K windowed sensor. Meaning a shooter can source anamorphic lenses with loads of interesting image characteristics for their films. […]
Read More… from Anamorphics and Blackmagic’s URSA Mini: NAB 2016
Great, easy to use, lights make production run smoother. Last year, at NAB 2015 Arri introduced us to their latest LED light, the Skypanel. This year at NAB2016 they’ve added a ton of great features. And a note on the video; camera geeks shoot 2.35:1 at NAB for fun. One of the biggest updates is […]
Ep. 30 removeUnusedEffects Free Function Friday […]
