Brompton Technology powers VP workflow for ITV’s Believe Me
The ITV series Believe Me demonstrates the value of treating virtual production as a complete image pipeline rather than...
Tool Tip Tuesday for Adobe Premiere: Getting your Computer Volume calibrated
Welcome to Tool Tip Tuesday for Adobe Premiere on ProVideo Coalition How do you know if your computer’s volume...
Sony FX5: Sony Finally Listened, But Is There Still Room for an FX7?
After months of speculation, Sony has officially unveiled the FX5, the newest addition to its Cinema Line. More importantly,...
Tool Tip Tuesday for Adobe Premiere: Quick Finding of Similar Shots using Media Intelligence
Welcome to Tool Tip Tuesday for Adobe Premiere on ProVideo Coalition The dreaded question: “Where are clips just like that...
The Clip Grid — A Different Way to Work
One of the first reactions editors have when entering Color Mode in Adobe Premiere is confusion. The timeline—the structure...
Why filmmakers can no longer afford to ignore on-set connectivity
Filmmakers and creatives have always prioritized what’s on screen, but are especially aware that you can’t get what you...
Tool Tip Tuesday for Adobe Premiere Pro: Perfect Sequence Templates (With Track Names That Actually Stick)
Welcome to Tool Tip Tuesday for Adobe Premiere on ProVideo Coalition One of the signs of an experienced editor: specific...
The Five Things Everyone Needs to Know Adobe Color Mode in Premiere (beta)
If you’ve been editing in Premiere for a while, you’re used to treating color as a set of sliders,...
Why creatives are turning to AI to refine their work and meet rising expectations
Creative pros say that their use of AI tools is growing fast and that the new technology is not...
A Morning of Rs, Vs, 6s, and 7s
Exactly 24 days after NAB Show Vegas and 24 days ahead of Cine Gear 2026 in Los Angeles, both...
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