Switching to Adobe Premiere Pro-A 4-part switcher series
More and more Final Cut editors are using Adobe Premiere Pro CS5 to make them more efficient. If you’re...
Quick notes: First PMW-F3 Movie; NXCAM 35 Pro Camcorder
Things are really heating up in the large single sensor camcorder world. (1) Martin Scanlan writes: Hey Adam, I...
Sony PMW-F3 Announced
Sony...
Simplifying software with XDCAM Browser
If it hadn’t already been taken, E pluribus unum would have been a great motto for Sony’s latest development,...
Sony publishes Guide to Sensor Sizes
Why is the image circle of a 2/3-inch type image sensor so much smaller than 2/3 inches? Exactly what...
Scaling in Adobe Premiere Pro CS5
A lot of people are talking about CUDA and the GPU in the context of Premiere Pro CS5. But...
The Swiss Army approach to file-based recording
It slices. It dices. It juliennes fries. If the Swiss Army made a file-based recorder, this would be it....
Proxy Prestidigitation
The PMW-500 personifies the Power of the Proxy. Proxy AV is one of the great little secrets of the...
cin©mon™ .mp4 Plug-in:
In a perfect world, digital cameras would wirelessly zap moving images to servers in the cloud. Clips would appear...
An Adobe Premiere Pro Switcher Story
Chris Fenwick is a colleague of mine and has been for quite a while in the San Francisco Bay...
