Pixels vs. Pixels
Pretty as a pixel: it’s called Q67. Quick: If a 21 megapixel HDSLR records a 1080p image, how many...
Twice as Nice?
Good GOP, good GOP. This Group of Pictures includes 15 frames, starting with a fully-defined Intra frame (I), Predictive...
How digital is digital wireless?
Sony’s pure-digital DWR-S01D wireless receiver is shown slotted into the back of a PDW-700 XDCAM® HD camcorder. Under the...
To Transcode or Not to Transcode
With the release of Premiere Pro CS5 earlier this year, the topic of native editing, and more specifically, native...
Innovation and Cinema 4D Part Two: William Dudley on Virtual Sets
In the second and final part of this interview, I chat with visionary production designer William Dudley about the...
XDCAM® HD decks and Closed Captions
Concern for the hearing impaired initially led Congress to mandate closed captions. But captions have also become valuable to...
Adobe Premiere Pro 3D Stereoscopic Realtime Editing
I’ve created a start-to-finish workflow on how you can create a 3D stereoscopic workflow in Adobe Premiere Pro CS5...
Choosing and using Lithium Ions
Excuse me, Miss, but I couldn’t help noticing your BP-L80S is down to 10%. Treat your Lithium Ion batteries...
Oh! LED.
About the only thing OLED has in common with LCD and plasma is that it’s a flat panel display...
Output module constraints in After Effects CS5
In After Effects CS4, you may have seen errors like this when rendering and exporting: After Effects AEGP Plugin...
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