See-MOS
Of all the choices in digital cameras, few are as fundamental as the type of image sensor: Complementary Metal...
Classroom: After Effects CS5 video tutorial series for beginners
Adam Shaening-Pokrasso presents a seven-part video tutorial series that introduces After Effects for beginners. This series is a single...
What sort of postings do you want from Adobe?
Like everyone else, I’ve started a blog, gotten into a blog, regularly contributed to a blog, added to the...
Pixels vs. Pixels
Pretty as a pixel: it’s called Q67. Quick: If a 21 megapixel HDSLR records a 1080p image, how many...
Twice as Nice?
Good GOP, good GOP. This Group of Pictures includes 15 frames, starting with a fully-defined Intra frame (I), Predictive...
How digital is digital wireless?
Sony’s pure-digital DWR-S01D wireless receiver is shown slotted into the back of a PDW-700 XDCAM® HD camcorder. Under the...
To Transcode or Not to Transcode
With the release of Premiere Pro CS5 earlier this year, the topic of native editing, and more specifically, native...
Innovation and Cinema 4D Part Two: William Dudley on Virtual Sets
In the second and final part of this interview, I chat with visionary production designer William Dudley about the...
XDCAM® HD decks and Closed Captions
Concern for the hearing impaired initially led Congress to mandate closed captions. But captions have also become valuable to...
Adobe Premiere Pro 3D Stereoscopic Realtime Editing
I’ve created a start-to-finish workflow on how you can create a 3D stereoscopic workflow in Adobe Premiere Pro CS5...
