Winning the Gamma Game
This scene ranges from 4 stops over key to 5 under. HyperGamma holds it together. How do you capture...
3D Live Production
If you’ve been eager to get educated about 3D, this video is a great introduction. Learn the basics of...
HEARST ROLLS OUT SONY XDCAM EX CAMCORERS ACROSS ITS STATIONS
Hearst Television is adopting Sony Electronics’ XDCAM EX™ solid-state memory camcorder as its primary ENG and news production technology....
SONY XDCAM HD IS “CORPS” TECHNOLOGY FOR NEW NATIONAL GEOGRAPHIC DOCUMENTARY
Sony’s XDCAM HD optical camcorders have performed in a range of challenging environments – from extreme weather to combat...
NEW SUNDANCE CHANNEL DOCUMENTARY “BRICK CITY” SHOT WITH SONY XDCAM EX CAMCORDERS
A recent documentary premiering on The Sundance Channel was shot entirely with Sony XDCAM EX series cameras (the PMW-EX1...
8-bit, 10-bit, 32-bit, and more
Recently, I’ve been getting a lot of questions about the new icons in the Premiere Pro Effects panel, in...
Open workflows in Adobe Premiere Pro CS5 with Final Cut & Media Composer
Since so many industry professionals typically use a variety of production and post-production tools on virtually every project, it’s...
New RED Mysterium-X support in Adobe tools
As many of you know, CS5 Production Premium includes built-in support for the RED camera format. In the past...
DSLR Workflow Pt 2 – Keying, Time Remapping & Stills in Premiere Pro CS5
For this piece, we’ll take a look at using the new Ultra Keyer in Premiere Pro with some Canon...
The changing landscape of CS5 for Broadcast (part 2)
As I spoke previously, the landscape of broadcast has been changing. That perfect storm of change is forcing broadcasters...
