Color Mode in Premiere: Setting Up for Success
Most color problems don’t start in the grade—they start in how the project is set up. Mixed color spaces,...
Tool Tip Tuesday for Adobe Premiere Pro: Fastest Exports Ever
Welcome to Tool Tip Tuesday for Adobe Premiere on ProVideo Coalition I both love and dread export. The emotional depression...
Introducing the New 5/8″ Grip Rail from Matthews Studio Equipment
In the fast-paced world of production, efficiency isn’t just a luxury—it’s a requirement. Grips and cinematographers have long relied...
Tool Tip Tuesday for Adobe Premiere Pro: The Sequence Index
Welcome to Tool Tip Tuesday for Adobe Premiere on ProVideo Coalition NAB happened, and it was amazing to be there...
Adobe at NAB Show 2026: Say Hello to Frame.io Drive and Color Mode
This year, NAB Show in Vegas only takes over three out of the four halls. South Hall belongs to...
Sony at the 2026 NAB Show: “The Power Behind Your Story”
At Sony’s space at NAB attendees can see innovations to power creative storytelling, provide connections, and instill authenticity in...
Join the Industry’s Best: J.L. Fisher Inc. Industry Mixer 2026
Get ready to network, learn, and explore the latest in cinema technology! You are cordially invited to the J.L....
Building the Modern Hybrid AV Ecosystem: Your guide to PTZs, monitors, switchers, and splitters
PTZs, monitors, switchers, and splitters. These are the AV products you’ll see in any production, from broadcast television to...
The Filmmaker’s Guide to Signal Distribution, EDID, and Latency
When you’re deeply focused on crafting the perfect shot, which means everything from obsessing over the lighting to directing...
Tool Tip Tuesday for Adobe Premiere Pro: Animation Without Keyframes
Welcome to Tool Tip Tuesday for Adobe Premiere Pro on ProVideo Coalition Last week I showed you how the...
