REVIEW: Frame.IO’s Camera to Cloud & the Atomos Shogun CONNECT
Over the past year I’ve been testing out Frame IO’s Camera 2 Cloud system in various situations, primarily using...
Virtual production powers puppetry/animation hybrid series
The marionettes from the past are getting the Virtual Production treatment, as a new project uses Dark Slope’s advanced...
Unreal Engine 5 – A Change in Perspective
If you read my previous article on Unreal Engine and Unreal Engine 5, you’ll know that I’ve loved 3D...
First Virtual Production studio in Europe with Sony Crystal LED
The first virtual studio with a 90m² Sony Crystal LED B-series screen built in Europe is ready for international film and...
Unreal Engine 5
I’ve always loved 3D animation. Now, I’m not talking about 3D motion graphics work inside of After Effects, but...
Unreal Engine 5.1: new features for filmmaking, broadcast, animation, and live events
Enhanced support for stage operations, a VCam overhaul to make more familiar to camera operators, animation and rigging enhancements...
Adobe MAX 2022 Recap
Every year, Adobe hosts thousands of people for their fantastic “creativity conference”, Adobe MAX. These like-minded creatives mill about...
disguise partners with Fuse to explore Virtual Production
disguise joined Fuse for their official opening of FUSE | Stage42 on 19th October, the ideal stage to further...
Some post-production deals from the Amazon Prime Early Access Sal
The sale is over. Some items might still have a deal going but the sale is officially over. Here...
Artificial Intelligence in Video Production
Introduction Artificial Intelligence has promised so much for so long, and in many ways, it’s been less than perfect....
