This tutorial series is designed for Premiere Editors to get a quick look at the important, fundamental differences in Avid Media Composer, so they can get up to speed editing quickly! […]
Read More… from Get Started Fast with Media Composer for Adobe Editors — Part 2
Beyond 4K most viewers will never appreciate the detail on their TV screens, simply because while image resolutions on screen are unlimited, the human vision is not. So why do we keep running after a moving target like “more resolution”? This insane quest has one culprit: marketing. Many TV manufacturers have been proclaiming that this […]
The Winner gives audiences a behind-the-scenes look at the Vinten supports that cover major sporting events like Wimbledon. It’s the second film in a serie created to showcased Vinten’s perfect control. Sports broadcasting and Vinten are a “winning” combination in The Winner, the second installment in the collaboration between premiere camera supports brand, Vinten, and […]
Read More… from David Spurdens explains why he uses Vinten products
i-XLR is an ideal bridge from a single XLR balanced microphone or other mono audio source to an iOS device (iPhone/iPad/iPod Touch) with a Lightning port. I first covered the i-XLR from RØDE in September 2015. Now, the i-XLR is finally available, and I have tested and evaluated it thoroughly. Ahead you’ll learn why I […]
Joan Sobel, ACE began as first assistant on such films as both of Quentin Tarantino’s Kill Bill films. She then transitioned to the editor’s chair with 2002’s Oscar winning short The Accountant and the 2005 feature film, The Quiet, followed by a steady string of work including A Single Man, Admission, and The Perfect Guy. Our interview today is […]
Read More… from ART OF THE CUT with “Nocturnal Animals” editor Joan Sobel
In this lesson, Kevin P McAuliffe talks about a great, under-utilized feature in Avid Media Composer, and that is the Background Services feature, and more specifically, background Consolidating and Transcoding. […]
Read More… from Let’s Edit with Media Composer – ADVANCED – Background Services
This tutorial series is designed for Premiere Editors to get a quick look at the important, fundamental differences in Avid Media Composer, so they can get up to speed editing quickly! […]
Read More… from Get Started Fast with Media Composer for Adobe Editors — Part 1
Placing a backlight where no other stand would reach, and then being able to move everything quickly again, were key aspects of the production that Ernesto Perez knew only the MAX and sister Mini MAX could accomplish. The Academy Award winning MAX and the smaller Mini MAX are some of the tools from MSE that […]
Watch our Videoguys’ techs set-up a live production studio with the Telestream Wirecast Gear System Earlier this year we brought you the first Videoguys’ DIY LIVE Guide: NewTek TriCaster Mini. In the past 6 months we have upgraded our bandwidth, the lighting and some other aspects of the studio to create great live videos to YouTube […]
Read More… from How to Set-Up a Live Production Studio with Wirecast Gear for Live Streaming
I tell people straight up that FCP X is the best NLE I have ever used: Sean Lander – Preditor Sean Lander is an award-winning editor and producer from Melbourne, Australia. He has also been an accredited Avid trainer. Sean is part of a team working on a four-part prime-time investigative documentary television series. He […]
