Audio
DaVinci Resolve 16 adds LUFS audio loudness standards + linear features.
At NAB 2019, Blackmagic announced many new features to its DaVinci Resolve 16 editing/grading, including LUFS audio loudness standards and also linear video type features. I have published several…
RØDE launches smallest cordless microphone system: Wireless GO
At NAB 2019, RØDE is launching the US$199 Wireless GO, which promises to be the world’s smallest cordless microphone system. Ahead you’ll see the full press…
Integrating Cleanfeed, Hindenburg & RØDECaster Pro
As I published on March 1st, the RØDECaster Pro recently added both mix-minus via its USB port and multitrack over USB. This article will cover all of the…
RØDECaster Pro: Is it an automixer?
As I have covered in past articles and reviews, the goal of an automatic audio mixer is to instantly cure bleed/spill/crosstalk faster tan any human being could. This…
RØDECaster adds USB mix-minus & multitrack
Starting with the just released free firmware update version 1.1.0, the RØDECaster Pro now offers selectable mix-minus via the USB port, in addition to its previously…
Spreaker Studio for iOS adds trimming capability
For audio content producers who use the Spreaker platform for either live broadcasting or live-to-drive on their iOS device (iPhone/iPad/iPod Touch), here is some good news…
Unleash Spreaker Studio’s hidden power
Spreaker Studio for desktop (Mac/Windows) packs a lot of power, allowing multiple local mic inputs, virtual carts, ducking and even remote guests. For Spreaker users who don’t yet…
Enter the 48 kHz Alliance
Thanks to a recent —and extremely rare— inaccurate public statement by Rob Walch, I was catapulted into creating the new 48 kHz Alliance. For decades, I have been a 48…
RØDECaster Pro to add multitrack via firmware update
In response to virtual rocks thrown by some content producers who demanded multitrack capabilities, this morning at NAMM (National Association of Music Merchants) in California, the Australian manufacturer announced an…
Michael Semanick – Storytelling with Sound
Michael Semanick is an award-winning rerecording mixer of some of the most creative and celebrated films to come out of Hollywood in recent decades. He’s collaborated with the…
Review: Simply Sound SS-1 pre-preamp, like elevator shoes for dynamic mics
This is a review of the SS-1 pre-preamp from The Simply Sound Company from Salt Lake City (Utah, United States), which graciously sent me a unit to review…
RØDECaster Pro: How to broadcast live without any computer
Updated article, January 13, 2019. After my second article about the RØDECaster Pro, a series of tweets initiated by Rob Greenlee suggested that the device should contain 5G to…
RØDECaster Pro-an unappreciated gem for LIVE production
The ideal tools for LIVE production and broadcast are often different from those used for the opposite production process, which is heavily focused on a time-consuming MULTITRACK post-production…
Tascam US–2X2 preamp/A-D converter interface review
The Tascam US-2×2 is an audio interface which offers two mic preamps/A-D & D-A converters. Those two mic preamps offer up to 57 dB…
Chromebook/ChromeOS audio production: a maturing platform
In several past articles, I have reviewed and provided workflows for Auphonic (the apps), Cleanfeed Pro and Hindenburg Journalist Pro, but those were not tested on a Chromebook. Instead, I…
