ARRI’s new ALEXA SXT (Super Xtended Technology) cameras represent the next exciting step in the continuing evolution of the ALEXA family. Retaining the rock-solid foundation on which ALEXA is built, ALEXA SXT cameras additionally offer ProRes 4K recording, improved image quality, powerful color management and three fully independent HD-SDI outputs. With in-camera recording of ProRes […]
A customer contacted our technicians through the live chat this morning asking one of the most frequently asked questions we hear: “Which video editing application is best for me?” We certainly understand the question and when you really dive in deep to research it you will find pros and cons reported by other users that may or […]
Panasonic will be present at The Photography Show 2015 at the NEC in Birmingham, taking place from the 21st-24th March 2015, with a 4k themed stand, showing their entire range of products for photographers and cinematographers. The whole lineup of Panasonic’s range of award winning Lumix G will be on show, and the company will […]
This week Steve Martin from Ripple Training show us his preferred method for archiving a project that will ensure you’ll have all your media with the smallest footprint possible. […]
NVIDIA’s GPU Technology Conference is impressive in both scale and scope. The conference is geared toward professionals who are working on the technical side of things in various markets and verticals, which is probably why you see so many people walking around with PC’s. Charts, numbers and code are all over the place, but their […]
Read More… from The Sights and Sounds of the NVIDIA GPU Technology Conference 2015 – Day 1
Recently on PVC, Matt Jeppsen wrote an article about filming smooth driving footage on a tight budget while Brian Hallett told us what it meant to use the Ronin to capture driving shots. Both pieces explore how gimbals affected the way in which Matt and Brian approached their projects and how these tools opened up […]
Read More… from That PVC Show – Gimbals, the Ronin and Camera Stabilization
When you talk with narrative filmmakers they often express that they have loved movies for as long as they can remember. Some pursue this passion from a young age, diving head first into filmmaking, while others follow different career paths that ultimately lead them to the same place. While the creativity and inspiration for the […]
Read More… from Narrative features showcase creativity at SXSW
In this lesson, we’re back to basics talking about Settings, more specifically, the Export setting, and how important it is to set up your export presets correctly, so your client always gets the best looking end product. […]
Read More… from Media Composer 101 – Lesson 9 – Export Settings Part 1
CRI is meaningless when it comes to measuring LED or fluorescent lights. TLCI hopes to replace CRI in the film industry, but I have my doubts… […]
Read More… from The TLCI Color Rendering Index: Does It Really Work? Color Me Skeptical
If I may take a moment to engage in a bit of shameless self-promotion please indulge me! Once again I’m honored to be teaching/leading/presenting (and learning myself) a number of classes at this year’s Post|Production World Conference at the National Association of Broadcasters convention. This is always a highlight of my year as it gets […]
