Understanding Aputure’s Storm LED line and BLAIR Color Engine
In the world of filmmaking, lighting is a critical aspect that can make or break a scene. While there...
Hobolite introduces the Micro Master Kit
Packed with accessories that expand the possibilities of your photography and videography, the new Micro Master Kit from Hobolite,...
Samsung’s The Wall for Virtual Production unveiled at InfoComm 2023
The newest addition to The Wall lineup is designed to help make production easier on TV, film and other creative industries by making...
A strategy to advance LED panel technologies for Virtual Production
Color accuracy up to Rec. 2020, a wider range of refresh rates, and capabilities for remote operations and diagnostics...
Mako and Minnow: new Brightline LED profile spotlight series
Following several introductions earlier this Summer, Brightline announces a new LED profile spotlight series which incorporates conduction cooled design...
A FREE webcast about new LED display technology
It’s a webcast you can not miss: three sessions with news about new LED display technology from ROE Visual,...
Fixing flicker
An issue we sometimes hit in camerawork is the potential inaccuracy of received wisdom. Sometimes people still refer to...
Prolycht Orion 300 FS sets new standards for your LED’s
In the pre-pandemic years, lighting fixtures for film and video production all seemed to all take on innovative attributes...
Mixing Up Colour
1010 For most of us, the idea of mixing colours from red, green and blue primaries is more or...
Sony Intros 2 New “Crystal LED” Modular Direct View Displays
Sony Electronics unveiled the latest innovation in premium direct view LED – the modular Crystal LED C-series (ZRD-C12A/C15A) with high contrast...
PVC Favorites
Post Production
Testing different Apple silicon Macs with Avid Media Composer
Post Production
Q&A — More than you care to know about modern video codecs
Production
