Signature Primes vs. Ultra Primes: The Pixel-Peeper’s Guide
For nine months I’ve been working periodically as a trainer for the ARRI Academy. Recently we added an Alexa...
Casting the look of a camera into glass
Recently I had the pleasure of meeting with ARRI’s senior color designer, and I asked him the question I...
Speed lighting: more lessons from the ARRI Academy
The ARRI Academy isn’t only about learning how cameras work. We also teach how to use them. I’ve never...
Real-time workflows for film, TV, VR and AR using Unreal Engine technology
From Technicolor’s ‘HP Mars Home Planet’ VR experience to a demo set in the Star Wars universe showcasing techniques...
Working With Clients – 28 Weeks of Post Audio
Editor’s Note: “28 Weeks of Post Audio” originally ran over the course of 28 weeks starting in November of...
NAB 2018: MEVO 4K Camera – Livestream Like A Pro
At NAB 2018: Vimeo came to the convention to show off a new little camera called the MEVO which is...
NAB 2018: The Sony VENICE Full-Frame Camera
At NAB 2018 I got an opportunity to talk to Sony about the Sony VENICE. The day before I,...
DaVinci Resolve 14 With A Mini Micro Panel Review
What Blackmagic Design has created under the hood of DaVinci Resolve is akin to Pandora’s box, and let me...
A Look At The Blackmagic Design URSA Broadcast | A Camera Review
When every other manufacturer went with a larger Full-Frame sensor in their flagship cameras Blackmagic decided to go in...
Setting up your on-set monitor: what to look for, and what to avoid
A few years ago, when high quality LCD monitors didn’t exist, I found myself in the wonderful position of...