Working in a modern production or post-production environment requires a working knowledge of color science. Regardless of a user’s position in the production chain, color plays a major role in telling a powerful story. This class provides a working knowledge of color management for digital film and video production, digital intermediate (DI) and video post-production, VFX, HD and film print dailies, and digital projection.
Who should attend
Professionals in the video and feature film industry responsible for quality control of color across the entire production / post-production workflow, including:
- VFX production supervisors
- VFX artists
- DI Post-production engineers
- CGI/VFX software developers
- Digital Imaging Technicians (DITs)
- Michael Chenery, Senior Color Scientist at THX, Ltd.
- Richard Schott, Manager of Imaging Technologies at THX, Ltd
- Chris Combs, Field Applications Engineer, Video Products, Dolby Laboratories, Inc.
- Bob Lofland, Customer Support Engineer, Professional Displays, Dolby Laboratories, Inc.
- Color science and theory
- Color management and data structures
- Probes and their role in color science
- Profiles vs. LUTs
- Reference displays: requirements, workflows, optimization & calibration
- Practical application and best practices of complementary technologies: cineSpace and the Dolby® Professional Reference Monitor PRM-4200 IIF / ACES workflow
- Afternoon break-out sessions on color management, probes, and optimizing your display
When & Where
Thursday, May 24th, 2012 8:30am – 5:30pm (8:30 – 12:30: Lecture / 1:30 – 5:00: Break-out sessions) Dolby Laboratories Screening Room, 3601 West Alameda Avenue, Burbank, CA 91515
$395.00 includes tuition, course materials, and lunch.