ZEISS Supreme Prime: 13 high-end cinema lenses at Cine Gear Expo
Debuting at Cine Gear Expo, the ZEISS Supreme Prime family is a cinematographer’s dream: 13 lenses with fixed focal...
NAB 2018: Things ‘n’ Stuff
Herewith I collect interesting things I haven’t written about already: mostly cameras and support kit, but there’s other stuff,...
PNW Lens Summit, May 5th, Portland OR USA
Quick note: if you’re coming to Portland OR for the PNW Lens Summit, you can get 20% off lodging at...
Panasonic AU-EVA1 5.7K compatible with six more Sigma ART lenses
The six new Sigma ART lenses added to the long list of lenses compatible with the Panasonic AU-EVA1 5.7K ...
The large format look, continued: shallow focus and stressing old lenses
I’ve been getting some play time with RED’s new Weapon camera with a Monstro sensor at Videofax in San...
Current thoughts on current lenses
Near perfect lenses are easy to find these days. The problem is… I don’t want them. I want lenses...
Your guide to capture the Great American Eclipse
Photographing an eclipse is an exciting idea, but don’t stop there. Modern cameras offer accessible ways to create video...
Gallery: PNW Lens Summit 2017
On Saturday, May 13, Koerner Camera hosted the PNW Lens Summit 2017, gathering glass from all over in one...
Lenses: My Likes, Dislikes, and the Return of the Cooke Speed Panchro
Every lens has a feel and a purpose. Some reproduce the world perfectly, some imperfectly. They all have their...
A Season of New Cinema Lenses for Filmmakers
Are we right in the middle of a cinema lens revolution? I am talking about cinema lenses priced for...
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