Panasonic AU-EVA1 5.7K compatible with six more Sigma ART lenses
The six new Sigma ART lenses added to the long list of lenses compatible with the Panasonic AU-EVA1 5.7K ...
The large format look, continued: shallow focus and stressing old lenses
I’ve been getting some play time with RED’s new Weapon camera with a Monstro sensor at Videofax in San...
Current thoughts on current lenses
Near perfect lenses are easy to find these days. The problem is… I don’t want them. I want lenses...
Your guide to capture the Great American Eclipse
Photographing an eclipse is an exciting idea, but don’t stop there. Modern cameras offer accessible ways to create video...
Gallery: PNW Lens Summit 2017
On Saturday, May 13, Koerner Camera hosted the PNW Lens Summit 2017, gathering glass from all over in one...
Lenses: My Likes, Dislikes, and the Return of the Cooke Speed Panchro
Every lens has a feel and a purpose. Some reproduce the world perfectly, some imperfectly. They all have their...
A Season of New Cinema Lenses for Filmmakers
Are we right in the middle of a cinema lens revolution? I am talking about cinema lenses priced for...
Lightweight Zeiss lens for professional film productions
Imagine a zoom lens covering everything from 21 to 100mm, made for the Super 35 format, and which is...
A 50mm Sony for shooting video
The Planar T* FE 50mm F1.4 ZA is what Sony calls a quintessential wide-aperture 50mm “normal” lens. With a...
Zeiss: aspherical lenses for mobile video
The new accessory lens kit for the iPhone, jointly developed by Zeiss and ExoLens, is the first aspherical lens...
