ART OF THE CUT with Sundance Opening Night doc, “Crip Camp”
Today’s guest on Art of the Cut is documentary editor, Eileen Meyer. In 2016, at South by Southwest she...
Voices From Sundance: “Aggie” Editor Gil Seltzer
Welcome to a special podcast series from Steve Hullfish and ProVideo Coalition! For the next few weeks, in addition...
Voices From Sundance: “The Devil’s Harmony” Editor Mdhamiri A Nkemi
Welcome to a special podcast series from Steve Hullfish and ProVideo Coalition! For the next few weeks, in addition...
Voices From Sundance: “Save Yourselves!” Editor Sofi Marshall
Welcome to a special podcast series from Steve Hullfish and ProVideo Coalition! For the next few weeks, in addition...
Sundance FIlm: “This Is Not a Burial, It’s a Resurrection” Edited in DaVinci Resolve
Here is some news I get because I edit a ton in DaVinci Resolve Studio. Lemohang Jeremiah Mosese’s fiction...
A Whole Bunch of 2020 Sundance Films Used Blackmagic Design
More than 50 projects at the 2020 Sundance Film Festival used Blackmagic Design gear, including its digital film cameras,...
118 independent films announced for the 2020 Sundance Film Festival
Drawn from a record high of 15,100 submissions across the program, including 3,853 features, selected films for the next...
Sundance Co//ab: a new platform for independent film and media makers
The new Sundance Co//ab platform offers film and media makers a place to develop their stories, receive individual feedback,...
NAB Show New York: the creative process behind Netflix’s Russian Doll
Discover how 6K cameras, HDR imagery and other advanced tools have revolutionized post-production and how artists balance art and...
The Lion King: a film shot inside a game engine, with VR and Virtual Production
The Lion King uses a game engine platform to emulate live action film production in a VR space, a...
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