A Look At The Blackmagic Design URSA Broadcast | A Camera Review
When every other manufacturer went with a larger Full-Frame sensor in their flagship cameras Blackmagic decided to go in...
THE SONY PXW-Z90 4K SINGLE LENS CAMERA REVIEW
My quick overall opinion on the Sony PXW-Z90 is this little 4K camera is a straight-up documentary / ENG/...
Sekonic L-858D Light Meter Review
Last summer I replaced my trusty Sekonic L-758Cine light meter with the new L-858D model. The 858D features a...
Review: Panasonic AU-EVA1 4K Cine Camera, part 3
This is part 3 of a three-part review; there’s more in part 1 and part 2 [Updated 8 Jan 2018...
Review: Panasonic AU-EVA1 4K Cine Camera, part 2
This is part 2 of a three-part review; there’s more in part 1 and part 3 Display The LCD monitor...
Review: Panasonic AU-EVA1 4K Cine Camera
Panasonic’s $7,345 AU-EVA1 is a Super35mm single-sensor camcorder with a 5.7K Bayer-mask sensor, an EF lens mount, variable frame...
Review: LiveU Solo
A few weeks ago I was given the LiveU “Solo” live streaming device to test and review. They told...
Product Review: Polaroid small portable LED production light panels
I’ve been testing these small portable LED light panels from Polaroid throughout the year in various types of productions...
Review: Digital Anarchy Transcriptive – automated transcription for Adobe Premiere Pro
Every now and then a little tool comes along that just might transform your editing and post-production workflow. I’m...
Sigma Cine Zoom Lens Review: 18-35mm and 50-100mm
Is there a better subject for a shooter than their own three-month-old baby? During these early months of fatherhood, Sigma...