A new profile for the Panasonic VariCam LT
Requested by the multiple users, the profile for the VariCam LT extends the options available to filmmakers when it...
Master of None and Love: shooting with the VariCam 35
Mark Schwartzbard is a fan of Panasonic cameras and for Master of None and Love the DP used Panasonic...
King Crimson’s Radical Action: A Fresh Approach to Live Concert Videos
The art of the live concert video has evolved over the years alongside technology, from film cameras on tripods...
Review: Panasonic VariCam LT 4K Super35mm Cine Camera
The VariCam LT is Panasonic’s “affordable” large single sensor VariCam, putting the core of the $55,000 VariCam 35 in...
How to pick optics for the new GH5 camera/camcorder
As covered in my prior article (and likely others you will have already read), the new Panasonic GH5 camera/camcorder...
Panasonic AG-UX180 Single Lens Camera Review
There are four things the Panasonic AG-UX180 wants to be. This camera wants to be a broadcast camera, an...
Panasonic introduces the new Lumix GH5 at CES 2017
Panasonic has today announced the LUMIX GH5, the latest flagship model of LUMIX G DSLM cameras based on the...
Nashville Filmmakers Guild’s Camera Debate
Investing into a camera system is one helluva a commitment. Yes, you can rent, but what should you rent and...
VariCam Shorts Festival, Oct 20 in L.A.
Panasonic is holding a free screening of shorts shot on the VariCam 35 and VariCam LT 4K digital cinema cameras...
PowerEye: a cinematography drone
PowerVision Technology Group announced that the PowerEye drone is now available for pre-order with shipping scheduled in December 2016....
