Panasonic AJ-PX230 Camera Review
Panasonic continues to deliver what Broadcasters are looking for with the single-lens AJ-PX230 camera. Simple, easy to use by...
V-Log L on the GH4 revisited, part 2
In part 1 of this saga, I looked at the reasons you might want to shoot V-Log L on...
V-Log L on the GH4 revisited, part 1
The release of the V-Log L upgrade for the Panasonic GH4 brought new attention to log capture in affordable...
Are Ikea batteries Eneloops in disguise?
The new Ikea Ladda batteries are a good choice if you use batteries for your flashes, LED panels, flash...
Panasonic 12mm/F1.4: precise focusing in 4K video
Equivalent to a 24mm on a 35mm format camera, the new Leica DG Summilux 12mm/F1.4 ASPH for Micro Four...
Light, again, shines at Cine Gear Expo
With over 20 top lighting-makers on the scene, it is fair to say that lights are on at Cine...
NYC, 18 May: HDR in camera & post @ Deluxe
Sometimes it’s worth the hassle to live in New York. Next Wednesday, May 18th, Panasonic and Deluxe host...
Panasonic Shows Off Varicam LT To PVC: NAB 2016
Panasonic first announced the VariCam LT in February 2016. NAB 2016 was likely the first place many shooters had...
A digest of last week’s photo and video news – Week 15
A digest of last week’s news is a selection of some of the news from week 14 from 2016...
Panasonic’s 4K DVX-200 Camera Review
In an age of DSLRs, Mirrorless, and Digital Cinema cameras who the hell would want a single-lens camcorder, right?...
