Leica S3: medium format camera with 64MP sensor and 4K cinema resolution
For the first time, the entire area of the 30 x 45 mm sensor can be used for 4K...
Leica and Insta360 want to reinvent the action cam with the Insta360 ONE R
Co-engineered with Leica is a catchy phrase that helps to promote a product, so the new Insta360 ONE R...
LUMIX S1H: Panasonic says this camera offers the best possible performance
With a price tag of $3999.99, the new LUMIX S1H makes it to the market with a lens that...
Focus ramping: when T-stops go bad
Years ago, while assisting on a sitcom, I helped the director of photography shoot exposure tests on all of...
Four lenses: a visual comparison, part 2
It’s time to name names. I’m going to tell you what lenses you’ve been looking at for the last...
Leica M10-P ‘ASC 100 Edition’: the M for cinematographers and filmmakers
The ASC logotype on the top plate, the PL-mount cine lenses, the Cine Looks and aspect ratio options, all...
Chromatic aberration: hard edges, hue shifts, and storytelling
Accidents yield interesting truths. This is especially true in lens and camera tests, where it’s hard to know what...
THE ARRI ALEXA LF and Leica M0.8 Prime lenses In Nashville
I like to see new cameras, but more importantly, I like getting my grubby hands on them to see...
The L-Mount Alliance: a new industry standard for full frame and APS-C?
Leica, Panasonic and Sigma join efforts to offer cameras and lenses utilizing the L-mount created by Leica. It looks...
Panasonic’s full frame LUMIX S1R and S1: The Times They Are a-Changin’
Panasonic’s “unexpected” alliance with Leica and Sigma results in two new full frame mirrorless cameras, the S1R and S1,...
Latest
Post Production
