With its US$595 ATEM Mini Pro video mixer/recorder/streaming encoder, Blackmagic had already begun facilitating ISO-cam workflow to a certain...

Shooting film is great, scanning it a nightmare. Abe Fettig decided to try something different: he wrote a software...

RED TECH, RED Digital Cinema’s series of educational videos (previously chronicled in this post by Jose Antunes) is back...

I had the opportunity to try a Canon EOS 80D for three days, but rain and bad weather made...

How good is the 4.6K URSA Mini in lowlight? Well one beta tester shares his candle light scene for...

The a7S II has evolved in both Stills and Movies adding internal 4K video recording, 5-axis image stabilization and...

Sony announces addition of uncompressed 14-bit raw still image capture for new α Cameras

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Sony’s Cine-EI mode is both a blessing and a curse. Here’s how to work to its strengths and around...