Sony Adds Dual Base ISO To Their Soon To Ship VENICE
The new version 1.0 features added to the VENICE will include support for Full-Frame 24x36mm recording in time for...
Bigger is better? OK, but why?
Whether it’s Quentin Tarantino shooting “Hateful Eight” in 65mm, the Panavision Millenium DXL, RED’s VV sensors, the Arri Alexa...
Sony Unlocks Full-Frame Capture On The VENICE
After the initial announcement of Sony’s new cinema camera, the VENICE, cinematographers, and directors called for Sony to release the...
Tamron: a 100-400mm for Canon and Nikon
The Tamron 100-400mm F/4.5-6.3 Di VC USD promises to be the lightest lens of its kind, when it arrives,...
Sony Unveils VENICE, its Full-Frame Flagship Cinema Camera
This is a Sony first; releasing a camera with a name, VENICE. It’s a Full-Frame digital motion picture camera...
Nikon’s D850 in development with 8K time-lapse
Successor to the D810, which has been highly praised by its users, the D850 is engineered with a range...
Tamron’s new classic: SP 24-70mm f/2.8
The new Tamron SP 24-70mm F/2.8 Di VC USD G2, for full-frame DSLR cameras, is another sign of Tamron’s...
EOS 6D Mark II and SL2: two new DSLRs
The rumors from recent months get confirmed: Canon has two new DSLR cameras, still without any 4K video in...
Samyang introduces third AF lens
The new compact and lightweight lens from Samyang, AF 35mm F2.8 FE, will be available globally from July, with...
Sony announces plans for next-generation CineAlta camera at Cine Gear Expo
The next-generation CineAlta, from Sony, will be a 36x24mm full frame camera, aspect ratio-agnostic, designed in collaboration with industry...
