4.6K URSA Mini Compared To Arri Alexa
With the Blackmagic 4.6K URSA Mini now shipping we are getting a great preview of what to expect out...
Ang Lee at The Future of Cinema Conference
The first major motion picture release to have been captured in 120 frames-per-second 3D at 4K resolution and in...
Átomos adds 10-bit HDR & high brightness monitoring to recorders from US$1295
Up until now, several manufacturers have offered portable 10-bit audio/video recorders for HD and 4K, of which I have...
Rethinking The AJA Cion
I set out to discover what tools one needs to shoot the best footage possible with AJA’s Cion. I...
Panasonic Varicam LT – First Look
In a single candle lit studio I could barely see Panasonic’s New Varicam LT, but what I could see...
Blackmagic Ships 4.6K URSA Mini and Micro Cinema Camera
It’s been a long wait and now Blackmagic announces their URSA Mini 4.6K and Micro Cinema Camera are now...
Sony’s New AXS-R7 Recorder Brings 4K RAW 120fps To F55
A New RAW recorder means the F55 comes out swinging with 4K RAW 120fps at 16-bit color.
Sony Announces New 4K Camcorder PXW-Z150
120fps. 4K. And a new low-light sensor. Sony is burning up the single lens video camera niche. Check out...
Get Started Fast with NewBlue Titler Pro for Media Composer—Episode 1
With the move to larger then HD projects, there have been some changes in Media Composer that editors need...
Get Started Fast with Media Composer for High-Res Workflows—Part 5
Many editors don’t work in larger then HD projects, but what happens when you’re ready to make the leap?...
