Live multicam autoswitch robotic TD (Technical Director) capabilities w/ Aaron Parecki video
At least since I first became involved in live multicam television studio productions in the eighties here in the...
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Review: RØDE PodMic USB hybrid dynamic studio microphone with powerful DSP & compelling app support
This is my review of the PodMic USB (US$199) from RØDE, a hybrid dynamic studio microphone with a powerful...
Review: RØDE Interview PRO wireless microphone-recorder
RØDE’s new Interview PRO microphone has sparked a lot of interest and controversy for many reasons. Of course, the...
Review: RØDE XDM-100 studio dynamic USB microphone with internal DSP and external shockmount
Here is my review of the new U$249 RØDE XDM-100 studio dynamic USB microphone. It’s RØDE’s first dynamic microphone...
Review: Blue Radius III shockmount for microphones
When I recently reviewed the SL40 dynamic studio microphone from FDUCE together with the Shure A7WS windscreen, my primary...
Google Meet beats Zoom in audio quality (48 kHz versus 32 kHz typical in Zoom)
Recently, I have been conducting Meetups for fellow writers who want to edit, publish, transform or widely distribute their...
Plosive prevention: A7WS, A81WS or WS2, not RK345
Sadly, most people I see and hear vía the Shure SM7B, MV7 and MV7x microphones are using the wrong...
Review: RØDE AI-Micro multiplatform dual channel 48 kHz audio interface
After exhaustive tests with five different microphone models, I am now ready to share my review with you of...
RØDE unveils AI-Micro, new multiplatform dual channel 48 kHz audio interface
About a nanosecond after RØDE’s strict embargo ended on Wednesday, November 3rd at 10 AM AEDT (UTC+11 — Australian...
The making of a indie bilingual parody song from 3 locations
I am not a musician, but I recently endeavored into producing my first song. The song is bilingual, educational...
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