Review: NTH-100M headset and NTH-Mic head microphone for NTH-100 users
Almost a year ago, I reviewed the RØDE NTH-100 isolating studio headphones. I had a great time explaining the...
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PSA: RØDE XDM-100 & XCM-50 mics with macOS
This is not my (pending) review of the new RØDE X mics (announced here, with my commentary), although I...
Review: Shure SM11 dynamic lavalier challenges RØDECaster Pro II more than SM7B
Most lavalier microphones on the market are condenser or electret condenser. The Shure SM11 we are reviewing now is...
Review: Blue Radius III shockmount for microphones
When I recently reviewed the SL40 dynamic studio microphone from FDUCE together with the Shure A7WS windscreen, my primary...
Review: FDUCE SL40 studio dynamic hybrid microphone with A7WS & RØDECaster Pro II
I am privileged to be among the first to be reviewing the new sub US$100 SL40 studio dynamic hybrid...
First look: Zoom F3 2-track 32-bit float recorder with 48 kHz sampling rate
I didn’t buy the ≈US$350 Zoom F3 2-track recorder because of its 32-bit float recording capabilities with true 1528...
Review: RØDE VideoMic Go II compact hybrid shotgun microphone
Here is my promised review of the US$99 RØDE VideoMic Go II compact hybrid shotgun microphone, including my own...
How to measure audio latency? How much delay is tolerable by human beings when monitoring their own voice live?
In many workflow and review articles, I have discussed the benefits of “latency-free” monitoring when it comes to audio...
Review: MAONOCaster Lite AU-M200 interface/mixer Premium Bundle
Here is my review on the MAONOCaster Lite AU-M200 interface/mixer Premium Bundle, which includes some very powerful 48 kHz...
Zoom PodTrak P4 48 kHz—mission possible? 3 workarounds until Zoom updates it
I have been very vocal about the lack of 48 kHz audio sampling frequency in the Zoom PodTrack P4...
